Exploring Paper With Your Hands Part 2: Imaginary Structures

Overview

Grade Level

All

Media

Sculpture

Essential Question

How can an artists create sculptures with paper?

Teaching Guide
Teaching Tools

Materials and Tools

Paper shapes from previous lesson
Colored construction paper (three sheets of the same color)
Scissors

Objectives

Students will understand how to:

Paper can be transformed and arranged in different ways to create a sculpture.
A sculpture stands up, is three-dimensional (3D), and looks different from all sides.
A life-sized sculpture has a relationship with a viewer’s body and can be interacted with in different ways.

Students will be able to:

Demonstrate cutting and changing paper by making 3D shapes.
Demonstrate building with paper by standing, stacking, leaning, and balancing.
Create a sculpture by attaching shapes together using slot joints.

Activities

We will create an imaginary structure out of paper. What is a structure? A structure is something 3D that is built by joining different parts together. Some examples include bridges, columns, walls, tunnels, archways, or buildings. An imaginary structure is something new that is made from an artist’s imagination.

Close-Looking

Filip Dujardin, Sequence no. 1, installed along the banks of the Leie River in Kortrijk, Belgium, 2015. 40 meters (131 feet) in length.

This is a temporary site-specific sculpture that was located along the banks of the Leie River in Kortrijk, Belgium. It draws inspiration from the houses and buildings in the city of Kortrijk and is arranged in a straight line to follow the flow of the river.

What do you notice?
What do you notice about the size or scale?
What shapes do you see?
How did the artist arrange the shapes?
How do you imagine interacting with this sculpture?

Background Information

From Filip Dujardin:

“What I did with this intervention was to make a gesture towards the city by building a structure that places several architectural architypes [sic] into a certain sequence. By doing so, there evolves a suggestion of a silhouette of a street or an unfolded house. In fact, it is an action to pull the city towards the water.”

Work Time:

Students will gather their torn paper shapes from the previous lesson and use scissors to create more shapes.

They will cut two pieces of papers in half, and the third piece of paper into wide strips. They will use rolling, folding, twisting, crumpling, or fringing to create additional shapes that stand up.

How are the cut shapes different from the torn shapes?

Students will look closely at their shapes.

How do they remind you of a structure?
What can they become (for example, stairs, a wall, a roof, column, bridge)?

Students will try building with their shapes to create a sculpture. They can stand, stack, lean, and balance their shapes.

Will your sculpture be wide or tall?
How would a person enter the space?

Students will stand and look at their sculpture from different directions.

Is there anything you want to change or add?
Where can you use slot joints to attach your shapes?

Prompts for Discussion

How did you build with your shapes?
If your sculpture were life-sized, how do you imagine interacting with it?
Where do you imagine this structure being built?

Additional Discussion Prompts

What do you want someone to know about your sculpture?
What would you title your sculpture? Why?

Writing Activity

Imagine if your sculpture were life-sized.

How does it feel to be inside this sculpture? What will you do here?

What are three action words that describe how you would interact with your sculpture. Write a sentence using each word or use the sentence frame below.

Three words that describe how I would interact with my sculpture are __________, __________, and __________.

Artists often title their work to tell viewers more about their idea.

Come up with a title for your imaginary structure.
What kind of a place is this?
What would you want people who view your sculpture to know about it?

Write a title for your artwork and one sentence about why you chose that title.

The title of my imaginary structure is ___________. I chose this title because ________.

Sketchbook Activity

Turn your sculpture around and choose one side to look at closely. Make a drawing of what you see. Imagine what else you can add to your sculpture. Keep “building” it by drawing additional elements and details.

What did you add to your sculpture in your drawing?

Vocabulary

Sculpture, balance, lean, stack, stand, slot joint

Resources

Filip Dujardin, Sequence no 1, and Impossible Architecture, photography series.

Siah Armajani, Dictionary for Building: From First Floor to Third Floor, 1974-75, Metropolitan Museum of Art

Adaptations

ADAPTATIONS FOR STUDENTS WITH DISABILITIES

Think about the sounds your paper shapes might make.
Use hand and body movements to make lines seen in new paper shapes.
Use an iPad or Google Classroom to draw lines and shapes.
Use the “Think, Pair, Share” strategy to partner students to help with understanding, verbalize ideas, and share their process.

ADAPTATIONS FOR MULTILINGUAL LEARNERS

Multi-modality learning
Total Physical Response (TPR)
Provide visual examples to support words and concepts
Demonstrate
Use repetition
Paraphrase
Chunk information
Use equity sticks when calling on students
Pre-teach high-utility vocabulary

Language Objectives

Use of prepositions to describe the relationship between a viewer and the sculpture (for example, above, next to, underneath, behind)
Use of opinion phrases to express perspective
High-utility vocabulary: stand, stack, lean, balance

Extensions

For elementary school students: Creating a paper sculpture of an imaginary playground or play space.
For high-school students: Creating a paper model for a site-specific sculpture, considering the location and history.
Exploring recycled materials, for example cardboard, to create buildings or imaginary structures. These can be exhibited together to create a street or neighborhood.
Using found objects at home and standing, stacking, leaning, or balancing them to create imaginary buildings.
Using paper and cardboard to create imaginary creatures or animals, exploring personality traits and emotions.
Documenting your sculptures by drawing them from three different viewpoints.

Credits

Exploring Paper With Your Hands Part 2: Imaginary Structures

Written by Traci Talasco, Artist Instructor with support from Julie Applebaum, Senior Director, Studio in a School NYC